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DOUGLAS CLEGG
GOAT DANCE
PROLOGUE
WHAT KIND OF SMOKE
ARE YOU?
News item from The
Westbridge County (Va.) Sentinel, January 3, 1985:
THE LITTLE GIRL WHO CAME
BACK FROM THE DEAD
Her name is Theodora
Amory, her friends call her Teddy, and the doctors at the Westbridge
Medical Center are calling her a modern-day miracle.
Teddy, who is all of 7
years old, was ice skating with her older brother, Jake, late yesterday
afternoon on Clear Lake, when the ice gave way beneath her. Teddy went
through the ice, while her brother struggled in vain to reach her. Several
Pontefract Preparatory School students witnessed the accident from the
football field and went out onto the ice, forming a human chain to try and
aid in Jake Amory's rescue attempts of his sister. But it was Teddy's own
father, Riland "Riley" Amory, who arrived shortly upon the scene and dove
into the icy water to bring the little girl out of the freezing water just
as an emergency unit arrived.
According to Mr. Amory,
his daughter was beneath the water's surface for the better part of forty
minutes. "But she's an Amory, and her mama's a Houston," he is reported to
have told one of the paramedics, "and that means, she'll come through."
Teddy was presumed dead by many of the witnesses, but after she'd been
covered in warm towels and laid in the back of the ambulance, Mr. Amory
administered some good old mouth-to-mouth resuscitation and within
seconds, she was breathing again.
Upon Teddy Amory's
arrival at Westbridge Medical, Dr. Walter Scott told Mr. Amory, "There's
nothing wrong with this little girl. What's she doing in Emergency?"
Teddy, who will remain
at the medical center for observation until Tuesday, told the Sentinel,
"It was kind of scary and real cold. You know, the kind of scary that gets
inside you? I guess I drank a lot of water, too, and my mommy says it's
good for you. Lots of water. Maybe scary's good for you, too. Because I
guess I knew it would be okay. My daddy says it's in my blood. And maybe
it is."
Her father, Riley,
Director of Buildings and Grounds at the Pontefract School, added, "My
little baby's something else, ain't she?"
Obituary from The
Westbridge County (Va.) Sentinel, August 27, 1986:
RILAND "RILEY" AMORY
PONTEFRACT - Riland
"Riley" Amory died August 21 in Pontefract.
A lifetime resident of
Westbridge County, Riley was Director of Buildings and Grounds at the
Pontefract Preparatory School for Boys.
He is survived by his
wife, Odessa Houston Amory, and two children, Jacob and Theodora.
Services were held at
Gethsemane Baptist Church on August 26.
But what the obituary
didn't say:
A man by the name of
Riley Amory, a family man, a man who loved his work, a man who once upon a
time took his wife to the Gethsemane Baptist Annual Potluck Supper, took
his son skeet shooting, in other words, a regular guy; this man found a
clearing on a hillside a few miles outside his hometown. He put a shotgun
into his mouth, stroking the barrel lightly against his tonsils, savoring
mat rusty coldness as the last thing he would ever feel. He shut his eyes
and sent out a prayer for his family and squeezed the trigger.
If you could've been
there to ask him, before he did it, he might've told you about the funny
smell he noticed in the air. A smell that meant for most folks sweat,
lakewater, dying fish, and the end of summer, but which for him was a
terrible, sweet smell. One that he'd inhaled one winter with a couple of
friends. It was a smell that had gotten him high that night, and he'd
never felt that young or strong since. That night when all hell broke
loose.
Riley might also tell
you that one of those friends had come back. That friend was talking to
him in his dreams, and recently, when he was awake, too. But always late
at night.
That friend told Riley
about his daughter.
The power she wielded.
What had crawled inside
her underwater.
Riley's little girl.
Teddy.
Something inside her,
the thing that was causing her epilepsy, as well as her communion.
But on that lone
hillside there was no one for Riley Amory to tell all this to. The blast
from his gun was probably not even heard - there was no one within a
three-mile radius to listen for it. The last thing Riley saw were some
sparrows in the oak tree that he leaned against as he squeezed that
trigger.
In the next second, the
birds would fly out of the oak's branches into the fair morning air.
PART ONE
DISTURBANCES
IN THE FIELD
Can these bones live?
- Ezekiel 37:3
CHAPTER ONE
BONES
December 2, 1986
1.
Something snapped inside
Jake Amory that morning. He felt his brain flexing, cracking like a whip.
Driving him on. He knew that it was all building to this night, this one
night. All the digging, all the bones, all the shit he'd been putting up
with all his life.
He stepped up onto the
front porch of his mother's house. It was three A.M., his usual hour of
arrival. Jake might've joked that he still managed to get his eight hours
sleep a night because he always slept straight until noon. But he didn't
joke about too many things and he didn't talk to too many people. And
lately he had not been getting more than three hours sleep a night.
Jake was swinging a gas
can in his left hand. The weight of the can felt good to him, and he liked
the way the gas sloshed around inside it, splashing him like a light rain.
They'd told him no fire, but he figured that he could do it his way, and
if it worked that would be all that mattered. The muscles in his left arm
ached and even that felt good. He set the can down on the splintery gray
boards of the porch and fumbled in his pockets for his housekeys. As he
pulled the keychain out of the back pocket of his jeans, he felt the heat
rising in his hand. Like friction against blisters, the keychain burned
and froze his palm at the same time.
And man, it hurts so
good. Jake grinned.
It was his good luck
charm that caused the weird glowing in his hand. He clutched his fist
about it. The keys dangled out from the opening between his thumb and
forefinger. It seemed to wriggle in his fist like a worm.
Jake relaxed his fist.
He looked down at the thing in his hand.
The human-bone charm
possessed a glowworm-like phosphorescence. Just as it had the day Teddy
almost drowned two years before (did drown, my man, and something else
crawled inside her and came back just like the Creature From The Black
Lagoon). That day that Jake opened Teddy's fist while his father bent over
her, and there was the bone. How it had shone then like a beacon in the
darkness of his life. It was just a fragment of a bone, maybe a toebone,
Jake didn't know; but he did know that it gave him power. He was
invincible. And he knew that he would always keep that bone with him. He
drilled a small hole at its thickest edge and looped his keychain through
it.
And he was never
separated from it.
Oh, de toebone connected
to de footbone, and de footbone connected to de - what the hell was it
connected to, anyway? He jingled the keys in his hand.
Jake sought out the
housekey, but tried the doorknob first. If his mother had been drinking,
she would have left the front door open. She was always doing stupid
things like that when she hit the bottle. When he nudged the door with the
back of his hand it slid open as if it were greased. Inviting him in. Jake
wanted to laugh out loud; this was turning into quite an amusing morning.
What's it matter? Ma's
gonna say. No Manson family living in the woods. Them schoolboys got a
hell of a lot more money and nice things than us. And if somebody wants to
break in, well, god help 'em if they can find anything worth taking, and
no lock's been invented's gonna keep 'em out. That's just what she's gonna
say.
Why lock your door in a
town like this?
Who was even going to
hear you scream?
Jake rarely laughed
these days, but standing on his front porch like this, gas can at his
feet, door open, he wanted to break out in the biggest hyena cackle he had
in him. Instead, he blew an imaginary feather out from between the gap in
his front teeth: got to stay in control, man, chill out. But he couldn't
help thinking his ma shouldn't do that - shouldn't forget to lock her
doors. It was downright dangerous. Anybody could just walk right in.
Anybody. Murderer. Rapist. Thief.
Even her own son on a
crazy winter morning after he'd spent the past three nights camping out in
the field. Just doing some fieldwork, Ma, that's all. Talking with some
old friends, if you know what I mean. De armbone connected to de
shoulderbone. Having heart-to-hearts with the dead. The dead, he
considered, over and over, awestruck that he himself had been chosen by
them, the beyond, the out there. The what-will-come. Picked me. Jake.
Jake Amory was six feet
tall, just turned sixteen, and skinny. He was skinny by default: he'd
never found any food he particularly liked. He combed his hair back away
from his forehead, greasing the thick red strands with Brylcreme where it
fell over his ears. He liked his ears. They were pointy. Devil ears, his
ma called them, and he took this as an indication of his being special.
Marked. Born to some purpose.
And this was it.
He covered his
bloodshot, yellowish eyes with sunglasses. Jake had become sensitive to
light this winter, and just that thin shaft of lamplight sketched across
the porch hurt his eyes. His shades were the coolest things going, the
kind with mirrors so that any jerk looking at you only sees himself
reflected back.
Jake knew how
intimidating that could be. To only see yourself everytime you look at
somebody.
It was like he'd told
his girlfriend the other night when she met him at the cemetery. They were
making out on top of a flat gravestone. It was freezing but it felt kind
of good, the cold stone against his back. "You want to become me," he told
her, and she looked at him like he was crazy, "I can see it, inside you,
like The Man With The X-Ray Eyes." But he knew that Maggie wasn't
listening. Nobody listened yet, but they would. Not just another pretty
face, oh-ho, my friends, not just another pretty face. I am the herald of
the Pocket Lips, dig?
They'd all listen, and
very soon. Those assholes at that snotfaced prep school, too. Just because
his pa had been some Bozo at Buildings and Grounds the tuition was free
and Jake was forced to go to that private zoo called Pontefract Prep.
PeePee.
But Jake Amory was not
part of that prep school bullshit. Jake was a townie and proud of it, a
rebel when you came right down to it. Not a backwoodsman, either, like
you, Pa, although he respected the hell out of his old man for what he'd
done. It was the best thing his father could've done given the way things
were.
Jake was made of sterner
stuff. Sure, everything was a slimy joke in this Virginia backwater, but
Jake knew how to fix that. Oh, yes. The end of the world is coming, the
Apocalypse, what Teddy called the Pocket Lips. It's all coming, Soon to a
Theater Near You! And when that shining moment arrived, Jake Amory
intended to be wired for sound. He could feel it. Dem bones, dem bones,
dem dry bones.
All those preppies with
their pretty boy smiles and shiny hair and Daddy's credit cards. Nasal
southern accents. Jake could only stomach so much of those squirrels at
school before he felt like puking his guts out all over them.
And that night, lying on
the cold gravestone with Maggie McBean, he'd told her, "I don't just hate
them, babe, you know, Ma, Teddy, the fucking school, prepdipshits. Hate
ain't enough. I want them destroyed. Kiss 'em with my Pocket Lips." He
dreamed of the sky raining fire and snowing fallout down on Pontefract.
Anything would've been better than the way things were: dull, stagnant as
a swamp, like a sewer. "They're all dead now, only nobody told 'em." Jake
grunted as he dry-humped Maggie against the stone. As he continued his
tirade against the town, punctuated by heavy breathing, Maggie gave him
that look. The look that meant she knew he'd been dusting or speeding or
snorting. That look meant she was scared of him, what he might do.
Jake loved that look.
But these days he was
into heavier junk than you could get if you hopped a bus to Richmond once
a month. Junk made him think more clearly, and it pushed his soul to the
limit. It made him potent, focused him. Like a magnifying glass on an ant,
frying that sucker to a crisp at high noon. But he didn't need the kind of
junk you bought from some two-bit pusher in an alley. Now he had dem bones
dem bones dem dry bones.
Jake wiped his nose as
he ground his crotch into Maggie's. "It's gonna be judgment day, Mags, and
they're gonna see. Who they are."
He squeezed Maggie's
right breast through her Coors sweatshirt.
"Ow!" she cried out and
slapped him, leaving a crimson handprint across his pale face. "Jeez,
Jake, that hurt!"
He didn't even feel the
slap. "You know I could do it to you right here, Mags. I did it to a stiff
this morning, and I could do it to you, too. If you lie real still I can
pretend that you're dead, too."
"You're gross, Jake,
stop it, will ya?"
He continued bucking his
denimed hips into her corduroyed thighs. "You know what this town is,
babe? It's a scraping. A scraping from the asshole of hell." And Jake
thought, what a beautiful image, what a clear way of looking at things. It
turned him on.
But now Jake Amory stood
on the front porch of his mother's house at three AM. and heard the voices
in his head. They were getting louder, more insistent, like hunters' drums
driving the beast that was within him out into the front hall light.
The voices seemed to be
just under the skin of the world. He felt like if he reached out and
scratched the surface of things with his dirty fingernails, beneath would
be the veins and arteries and the yellow fat of the world.
Just like when you skin
a rabbit.
You ever skin a little
girl, son? The voices curdled into this one voice, buzzing around his
head. Now Jake could almost see his pa standing in the half-light of the
front hallway. His pa looked none the worse for having shot half his face
off, because it was like a mask had been pulled off to reveal another face
behind the one Jake had grown up with. A face that sizzled with red
tendons stretched across a shattered yellow skull, and skin torn back to
his ears as if a wild animal had eaten into it. Jake might've wondered how
he could speak at all, given that he had no lower jaw. But there he stood,
clear as day now, in his bib overalls that he wore to work, his hands
tucked tidily in his pockets, acting like he was just giving Jake another
talk on the birds and the bees. It ain't so hard a thing to do, you know.
You just hang her upside down, heat yourself a good sharp blade. Your Boy
Scout knife'll do. Then you start down at her ankle - it's real tender and
thin there - and it's just like peeling potatoes. Only most potatoes don't
scream, I guess, but it can't be helped. You got to ignore her screams.
She's only tricking you. She's only after one thing and it's a blasted
thing for a sister to want from her brother, you know, it, boy. But you
always knew what she wanted from you, didn't you, boy? You was always a
smart one. You know your shit, son, you ain't just another pretty face.
You been kissed by the Pocket Lips. And now you just got to peel that skin
off her so you can show the world what she really is.
Somekindamonster.
Somekindamonster.
She ain't your sister
and she ain't no little girl. She ain't human. Why, you know your real
sister drowned in that lake two years ago and what that water sent you up
was this monster in your sister's skin. But it's just skin, son, and you
got to remove it. She'll scream, boy, but don't you pay her no never mind.
'Cause under that skin it's just laughing its nasty little head off at
you. You know what it really wants from you, dontcha?
But his pa stopped
speaking as Jake entered the house. We'll be waiting for you, Jake, and we
will be waiting for the skin and the blood. We will be waiting for you,
too, though, so don't fuck up. We don't take kindly to fuck ups. The image
of his pa burned away reminded Jake of the time he was at the movies and
one of the picture frames got stuck and burned and bubbled on the screen.
That was how his pa went - he just bubbled and blistered until all Jake
saw was the staircase behind him. The voices were also gone.
Jake climbed the stairs.
His left arm ached from carrying the gas can, so he changed it over to his
right hand. Gasoline sloshed across his wrist. When he reached the landing
he set the can down. He was sweating.
Jake reached up to wipe
his hand across his forehead, careful not to knock his sunglasses off. He
coughed from the smell of gasoline. He rubbed his bone keychain but felt
no heat. He was on his own.
2.
Jake's sister Teddy sat
up in bed.
She thought she'd heard
a noise in the hallway.
She'd been dreaming of
gas stations, of having to use the "facilities," which her mother kept
telling her was more polite than "I gotta go to the can, man." In the
dream a stranger was driving her somewhere in his car. They pulled over at
a gas station. She got out of the car and went toward the restroom. The
gassy smell grew stronger. She thought she might faint.
Teddy knew that if she
passed out she'd be drowning in that cold blue water again, that clutching
water where that thing had touched her, tried to get inside her; she had
been dying, she even had wanted to die in that water, it was so peaceful,
but that thing had grabbed her, tried to pull her back. And she knew that
the thing in the water had been bad. The way the gas station smell was
bad.
Teddy, in her dream, did
not faint. She went into the restroom. She was determined not to give in
to that weak feeling. And even as the gas grew more intense and smothering
when she opened one of the toilet stall doors, she felt all the more
powerful for not giving in to that collapsing feeling inside her. No, she
would not faint.
That was her dream. And
this was also her dream: within the toilet stall of that gas station she
knew she was safe. But just beyond its four walls she sensed its presence.
The thing in the water. The thing that smelled of gas and swampy decay.
Teddy awoke from this
dream just as she relieved herself in her pajamas.
Wet the bed.
Whenever she dreamed of
going to the bathroom, she usually did. As her mother would say with a
disappointed look, "It came to pass."
It came to pass, she
imagined Mommy whispering in the darkness, and passing it draws near. The
kiss of the Pocket Lips.
Teddy shuddered, but
knew that it was her imagination speaking to her in the blackness. It was
only her imagination that pressed against the side other face like her
mother's lips kissing her goodnight.
Teddy was now wide
awake. Her eyes began adjusting to the dark. She smelled something
strange. Something besides the gas station smell and the odor from the
damp yellow stain on her bed. She thought she smelled . . . something
burning. But when she sniffed the air again, nothing.
Do dreams smell?
3.
Jake stood over his
mother's bed and gazed curiously at the sleeping figure as if she were an
alien. Through the purple darkness, Jake could see her dirty blond hair
stuck greasily along her face with sweat, her flimsy nightgown barely
covering her flabby body, her sagging breasts beneath the robe's sheer
material, heaving with each snore, exhaling putrid air. He smelled the
bourbon all around him. Drunk as a skunk, just like every night since Pa
bit the big one. The sight and smell other nauseated him.
Then Jake heard his pa's
voice rise like a gust of wind in his head. Her first, boy, and then the
little monstergirl. But you be careful with that fire, hear? The voice
came and went with Jake's own deep breathing.
Jake lifted the gas can
and began pouring its contents around the edge of the sleeping woman's
bed. Like warmed-up Karo syrup on a stack of pancakes.
Odessa Amory stirred in
her sleep. Her eyes remained closed as she sniffed dreamily at the air.
Jake reached into his
breast pocket for the book of matches. Boy Scout motto was Be Prepared.
Even though Jake was kicked out of the Scouts when he was still a
Tenderfoot for painting swastikas on gravestones, he still went along with
it. He was always prepared.
His mother's head
twitched as if in a spasm. She smelled the gasoline. She smelled him.
"Who's there?" she
whispered, slurring her words so that it became "Whooshere?" like wind
escaping from a balloon.
Jake flipped open the
matchbook. His hands were trembling. He hadn't expected her to wake up,
not if she was on one of her drunks. He expected her to be like one of the
corpses he'd been digging up - to just lie there and be still. To allow
him to get his job done right. Jake plucked a match from the book and
struck it against a bedpost.
The match gave off a
brief puff of smoke and a spark. It did not catch fire.
"Jakey? Zhat you?" his
ma asked. "Whatshallthish?" She rubbed her eyes. When she turned onto her
side, trying to sit up, a bottle of Virginia Gentleman rolled out from the
bed and thumped to the floor.
Maybe if you were cold
sober you'd figure it out, stupid bitch. Jake tossed the bad match down on
the bed. "Shit," he hissed. He tore another match from the pack and struck
it against the bedroom wall, but it bent in two and he dropped that one,
also. "Goddamn it, sucker, light up!"
Odessa Amory sat bolt
upright in bed. She clutched her hands to her breasts, holding her robe
together. "Jake?" Fear curdled in her voice.
He gave no response.
"What are you - ishat
you, Jakey?" Her voice was meek and pleading, and he knew that she wanted
him to answer, yeah, Ma, just me, no Manson family in these woods, no
boogeyman gonna jump out from under the bed, Ma, just your boy, and I got
something here for you, too.
His ma began coughing
violently, her smoker's hack.
Jake reached down to
touch her face. He slid his fingers from her earlobe down her cheek to the
tip of her nose. His fingers left a slimy gasoline trail.
"Jake," she whimpered,
sounding like a thick sponge being squeezed of water.
Jake jerked his hand
back. Made a fist. Brought it down in a razor-fine arc. Across the bridge
of her nose. He kept his eyes closed. He did not want to think about what
he was doing.
When Odessa yelped an
image formed in Jake's mind: he saw a bristling rat with blood-red eyes
lying on his ma's bed. And he knew that if he was smart, if he wanted to
make it through this night, he must hold that image.
Jake could open his eyes
now. It was safe.
He saw the rat. Blood
spurting out of its snout. Its whiskers bristling as it gnashed its
silver, dagger-like teeth. It shrieked in pain, its red eyes widening in
feral terror. Dirty, dirty, filthy, the words flooded through Jake as he
lifted the gas can over his head, you stuck your fucking whiskers in the
wrong mousetrap, you dirty, dirty, and brought it down full force on the
rat, oh god no Ma what am I . . .
The rat did not shriek a
second time.
Jake hit the rat across
its forehead three more times. Each time the can came down, more gas
splashed out on the bed.
The rat lay still.
He took a few deep
breaths. The gas smell was beginning to make him sick. He reached down and
touched the rat's muzzle. He opened its mouth. He poured gasoline down its
throat. The rat made some choking noises, spitting up as much gas as went
down its throat, but continued to lie very still.
It was beginning to look
less like a rat and more like something human. Something familiar. Jake
turned away quickly. He went over to his ma's dresser and switched on the
lamp. He would not look back at the rat. He was afraid it would start
bubbling and melting, that it would pull off its mask. That it would no
longer be a rat.
"Yeah," Jake mumbled, as
if answering a call within his brain, "got to burn the rat, my man." He
opened the top dresser drawer. There among scarves and earrings were a
couple of packs of Merit cigarettes and a Bic lighter.
Jake smiled. He lifted
the lighter carefully out of the drawer. "Just want to flick my Bic," he
said.
Then he returned to that
bed where the rat lay unconscious.
4.
Teddy was in the hallway
when she saw Jake come staggering toward her. He held a can in his hand.
Like her dream, he smelled of gas stations.
He set the can down on
the hall carpet.
He did not say anything.
She could not see his face clearly in the dim light.
"Something's burning,"
she said to the dark figure.
She peered beyond him to
her mother's bedroom. The door was shut; smoke curled out from beneath it.
"Mommy!" Teddy squealed,
"Jake!"
Jake stepped closer to
her. He seemed to relax when she cried out, tired, but still able to smile
compassionately for his sister. He opened his arms wide to her.
Teddy took a step
backwards.
Jake moved forward
swiftly and touched her shoulder. A blue spark ricocheted between them;
Teddy jerked back as if she'd been hit with a rock. The blue of that spark
was like a flashbulb in her face. Jake's hand smelled of gas stations.
"It's under control,
Teddy," Jake said, his voice raspy. He patted her on the head, his fingers
lingering in her long strands of hair. He began stroking her hair, and she
felt shivers inside her. A crackle of static electricity seemed to go
through her.
"But, Jake, Mommy," she
sobbed.
Jake grabbed her hair in
bunches, pulling at her scalp. "Gimme kiss, Teddy, gimme kiss."
"Let me go!" She tried
pulling her head back, but it hurt too much. Jake did not let up on his
grip.
"C'mon, Teddy, you want
it, you need it now - kiss of the Pocket Lips, right? Here it comes, just
for you, Teddaroo, the Pocket Lips," and with his free hand, Jake reached
into his pocket and pulled something out. He held it up for Teddy to see,
forcing her head back. "Behold, the kiss of the Pocket Lips!"
It was a knife.
"Kissy-kissy," Jake
cackled.
Teddy screamed. As she
cried out, striking at Jake with her arms and legs, she felt the heat
rising under her skin. And she knew it was coming. It had been a flash of
blue she'd seen, something was shortcircuiting her brain. Unlike in her
dream, she would not be able to resist passing out. What her mom called a
"gift from God," but what Teddy knew was a curse. What had begun two years
ago beneath the ice of Clear Lake. What Dr. Scott called a seizure.
Coming. On its way.
Not now, she thought,
not now!
Teddy was losing
consciousness. The world was becoming pinpoints of blackness. She felt a
prickly heat along her arms and legs. She was not even aware of her older
brother standing over her as she fell to the carpet; he was singing,
"Kissy-kissy, time to dance, baby, dance for the Pocket Lips!"
Behind Teddy's eyes the
world became a translucent ice that shattered as she fell into a cold,
viscous blue darkness.
5
Excerpt from Dr.
Prescott Nagle's First Families of Pontefract, Including a Brief History
of the Region ($12.95, Lexington-Jackson Printers. All proceeds to go to
The Pontefract Historical Society.):
One particularly
bloodthirsty tribe was that of the Tenebro Indians who occupied for
various periods modern day Rockbridge and Westbridge Counties. They are
best known for having been wiped out by the Catawba on the eve of the
Krench and Indian War. The Tenebro were mainly hunters, and lived for a
while in peace with fur traders who passed through this ridge of the
valley. But they evidently had one habit that the other Indians of the
time, the Senedos, Tuscarora, and Shawnee, found repulsive, and so when
the Catawba massacred the tribe as they crossed the mountains to the west
of the county, no tears were shed, either among the whites or among the
Tenebro's Indian brothers.
The Tenebro celebrated a
winter festival, when they felt the rebirth of some Great Spirit was
imminent, either symbolically or in actuality. Many men died for sport
during this festival, when the Shaman would perform his Ghost Dance for
the tribe, and the bones of the dead were exhumed for their descendants to
carry as they followed the Shaman in his dance. Thus came the nickname
among tribes for the Tenebro: Men-Of-Bone. Less obvious is their totem,
the maggots which they held sacred for the invertebrates' ability to clean
the corpses after the exhumation. But at the end of this week-long dance
and feast, the Shaman would choose a maiden and a brave to represent the
twin aspects of the deity. It is presumed that a ceremony of sorts,
perhaps a fertility rite, took place. A great cannibalistic bloodfeast
would follow, in which prisoners, white men in particular, were torn
limb-from-limb and eaten without benefit of fire. Of course, these stories
come to us primarily through tales from such marginally reliable men as
William Parsifal in his 1826 History of the Shenandoah, and we must keep
in mind he was writing seventy years after the Tenebro were wiped out
completely. Other sources are perhaps even less reliable: supposed unnamed
eyewitness accounts appear in the County Register of 1756, but hatred of
the Indian was at an all-time high in that year because of the frequent
unprovoked attacks upon townships (including the burning of our own first
town of Pontefract, not two miles from the present location - an act of
arson which apparently was committed by our forefathers themselves because
of fear of an outbreak of some cholera-type plague from the use of tainted
drinking water).
The Tenebro, and their
mysterious rituals which even the most violent tribes feared, are gone
from this earth. The present day excavation on the shores of Clear Lake,
which was undertaken with a grant from the Virginia Society for Historical
Preservation, has not only uncovered relics of the first town of
Pontefract, but also evidence of a Tenebro burial mound . . .
Buy the Book
CHAPTER TWO
CUP: THE PAST
1.
From The Nightmare Book
of Cup Coffey:
What I remember of
December 18, 1974, is not as vague as I'd like it to be. I would like to
say I was younger then, only a child, but that is as weak an excuse as
any. But I was younger then, and childhood had only visibly turned to
adolescence - inside, in my heart of hearts, I was just a boy with a crush
on a girl.
And I was willing to
protect her from anything.
That winter at
Pontefract Prep, before Christmas break, I tried. I know that's what I was
doing: trying to protect her. But how foolish and gallant and tragic it
became.
The night of my
initiation.
You see, we had clubs,
we called them tribes, sort of junior fraternities. We took the names of
various Indian tribes of the region, and through them, formed our cliques.
These were our forums for mild rebellions, getting seniors to buy beer,
all the early male bonding rituals. The club I was in took its name from
local Indians called the Tenebro, but we were just adolescent white boys
out for a good time at a boarding school.
2.
"This winter would be
unbearable without you," Lily told him, "but I'm not sure I like this
initiation business, I mean, really, Cup, bones and bourbon. Don't you
think you and your little friends should grow up?" She kept her voice to a
whisper, and she patted the top of his head as if he were a puppy crouched
down there behind the kitchen door, spying on the party.
Lily brushed her fingers
through her shiny blond hair, and it crackled with static electricity.
"That's what I get for rubbing your scalp - now I'll look like Medusa when
I take the canapés out."
Cup grinned from where
he huddled and winked at her. "Turn 'em to stone." His legs were beginning
to cramp from that position and he wished she'd just get out there, grab
the bottle and get back with it so he could get the hell out of the
Marlowe-Houston House. If he were to be caught . . .
"What can you possibly
see from down there, anyway? Women's panties?" Lily headed for the
refrigerator. She opened it and pulled out a tray full of hors d'oeuvres,
and then nudged the door shut.
"Come on, Lily," Cup
whispered.
She put her finger to
her lips to shush him and carried the tray into the living room. The
kitchen door swung shut behind her. Cup had to push it forward a bit so he
could see more than just the back of some teachers' pants as they huddled
around the piano while someone, very drunk, played a rather original
rendition of "Have Yourself A Merry Little Christmas."
But the music stopped
suddenly when a snowball hit the front picture window with a loud mush!
and then dropped into the snow-covered bushes below, out of view. Its icy,
dirty imprint remained like that of a child's palm pressed against the
glass.
Cup saw Gower Lowry, the
head of the English Department, duck as if the snowball was meant for him,
and then try to make it seem as if he were merely bending over to check
his shoelaces. The other teachers around the piano continued their
drinking and buzzing conversations. Dr. Cammack, Pontefract Prep's
headmaster, raised his glass of sherry to the frosted window, "To the
spirit of youth, shall we say?" This was followed by obligatory laughter
from the faculty.
"One of those Indian
clubs," someone suggested. "What do they call themselves? Tribes?"
"No, I think the
Potomacs or Sioux or something," said a woman, who stood out of Cup's
field of vision.
"Tuscarora, Catawba and
Tenebro," Dr. Prescott Nagle corrected them, and although Cup could not
see Dr. Nagle clearly, only a bit of his reflection in the picture window,
he could tell from his voice that he was nervous - as though unsure of his
own subject: history. "I believe the Tuscarora make up most of the
lacrosse team. And the Tenebro - well, I suppose since the boys consider
it their secret, I should leave it at that."
Cup heard Mr. Lowry
whisper, "Old Bagel is an expert on everything these days. Always digging
around," and a woman chuckled at this. Gower Lowry, whom Cup could see the
most clearly, then wagged his head from side to side - although in his
mid-fifties, he had already Grecian-formulaed his hair into a peculiar
metallic red. He hunched his shoulders up and thrust his hands stiffly
into the pockets of his herringbone tweed jacket. Now Cup could see him in
profile, and for just an instant Lowry resembled a vulture sitting high on
some craggy peak looking down upon a dying animal, waiting for his chance.
"I think we know who's responsible for such . . . mischief." Then turning
to nod almost defiantly at Dr. Nagle, he continued, "And who encourages it
out of an unprofessional and desperate attempt at 'popularity.' This
school needs a clean sweep, can't have rotten apples in the barrel, I
always say. And inside those that appear shiny and edible lurks the worm
of corruption. By that I mean one Mr. Coff -"
Dr. Cammack set his
sherry glass down hard upon the side table like a judge hammering his
gavel for silence in the court.
Lowry pretended not to
notice. "- ffey," he completed his statement, and Cup winced when he heard
his own last name mentioned. Cup let the door shut completely and looked
up at the ceiling, his eyes welling with tears. This confirmed his fears
that the faculty talked about him, about what happened during semester
finals. He felt doomed. He reached into the pocket of his jacket and
touched the prize he'd wrestled from a dog that evening. No matter what
they did to him after Christmas break, he still had this night,
initiation.
He took a deep breath
and opened the door a crack. He heard the tail end of what Dr. Cammack was
saying, "and I think, Gower, you are, perhaps, violating the
confidentiality of quite another matter."
Under his breath, Gower
Lowry mumbled, "Headmasters should not play favorites." But this comment
was lost among the clinking glasses, the intermittent chuckles and "ahems"
that punctuated the several conversations going around the room.
From where Cup was
crouching, he could only see a vertical rectangle of the Marlowe-Houston
House's living room. The back of Dr. Cammack's head, Dr. Nagle's arm when
it flailed out as he was telling a story, the back edge of the sleek black
piano, five teachers gathered around the piano (he mainly only saw their
trouser legs, they were so close to the kitchen door). But he could not
see Lily at all. The plan had been that she would go directly to the bar,
and when she saw that no one was looking, she'd grab the bottle and walk
back to the kitchen with it.
Dr. Cammack looked to
his left, out of Cup's range of vision. "Lily, could you bring out some
dean glasses? I think we've run through here and Bob Reed seems to think
he needs another sip."
Other voices, near the
piano:
"I thought you said
there'd be a major spread here. I skipped dinner for this hamster food?"
"There's your major
spread."
"Cammack's daughter?"
"Odds on she's a
virgin?"
"Not the way Lowry is
going after her. Look at the way his eyes follow her."
"Don't be ridiculous -
he's too busy planning to make the evening miserable for Pres Nagle, did
you notice that snippy comment he made about teachers and popularity?
Lowry does have it in for the old guy, doesn't he?"
"I saw you, the way you
put your hand on that Cammack girl's shoulder . . ."
Cup could not make out
who the teachers were that were saying all this, but it made him angry to
think they'd talk about Lily the way they did.
Then Lily came back into
view, heading toward the kitchen with a tray of empty glasses.
Cup sat back, allowing
the kitchen door to shut all the way.
In another moment, Lily
Cammack stepped back into the kitchen.
She set the tray with
the glasses across a cutting board near the oven. Then she returned to
where Cup sat and offered her hand to him; he took it, and repressing a
groan, stood up. Neither of them spoke as she led him to the far side of
the kitchen. "This is boring, and I can't get to the whiskey," she finally
whispered.
"Did you hear Lowry?"
"How could I not? You
mean about you, well, he's just an old goat who's always looking to butt
heads. He always has it in for somebody, doesn't he?"
"Yeah, only it's my butt
he'd like to butt right out of here."
"Keep your voice down.
Poor baby," she whispered. She drew Cup's face toward her own. Her lips
brushed across his and pressed against his cheek.
"Can we hurry this
along?" Cup murmured, and felt suddenly intoxicated, not from the sherry
she'd given him earlier, but by her jasmine perfume which seemed so
unwinterish and yet fit her perfectly. "I'm - I'm going to be in hot water
if -"
She gave him another
peck on the cheek. "How hot can it get?" She brought her face back and her
mood darkened. "It's this stupid Tenebro initiation. Don't you think your
little clubs are silly? They aren't really fraternities, are they? Just
excuses for getting drunk and acting juvenile. What's the point of going
through with this if you might not even be here next semester?"
Cup shrugged. "Nothing
to lose, I guess."
"Life and limb. Really,
Cup, digging up bones and stealing liquor. How attractive. How mature. You
owe me one. You still want the bottle?"
He glared sarcastically.
"What do you think?"
"Well, Daddy will do his
little toast number any minute, and then I'll grab it."
"So dramatic. Why can't
you just get it now? I got to take a leak."
"Tie a knot in it," she
said playfully. She went to the cupboard for clean sherry glasses and Cup
helped her arrange them on a silver tray. "Was it your little gang that
threw that snowball earlier, Cup? Or do I dare attribute it to your best
friend, ha ha, Bart?"
3.
From The Nightmare Book
of Cup Coffey:
I was only sixteen and I
had never before cheated on a test - God's honest truth. May He strike me
dead. I panicked so much over that damn chemistry test and I was caught
cheating, stupidly, stupidly, my own mistake, poor execution,
"dishonorably," as Lowry put it. Caught by that devil Bart Kinter.
I have a theory now,
looking back on that cheating episode of December, 1974: those who get
caught at anything only do so because someone is out to get them. A lot of
people don't get caught. But I did.
I was aware that more
than a few of my fellow students at Pontefract Prep cheated. Constantly. I
watched one of my former roommates scribbling notes for an upcoming
English Lit. test onto the seat of his desk with a ballpoint pen. No, I
take that back, he didn't just scribble, he engraved. I saw my Tenebro
Blood Brother with crib notes for the French final. Thad Stamp, III, had
even gone so far as to set a whole slew of three-by-five cards on his lap
while he took the World History mid-term. He forgot those cards at the end
of the test. He stood up from his desk. As he stood, those index cards
filled with arcane doodlings about Huguenots and the Hundred Years War
flew like a magician's white doves across the classroom. But Thad Stamp,
III, was not turned in to the vicious and unyielding Honor Council. Oh,
no. Old Bagel, as we called Dr. Nagle, was absorbed in one of his
textbooks. He didn't notice those telltale cards scattered across the
floor, even while Thad went around and collected them. Thad Stamp, III,
aced the World History mid-term and destroyed all hopes the rest of us had
for some kind of curve. All it would've taken was one, "J'accuse."
But there were no
takers.
I, on the other hand,
did get caught. Did get turned in.
What separated me from
students like Thad Stamp, III?
What mark of Cain did I
bear?
Someone had it in for
me. As Lily used to say, my best friend, ha ha, Bart Kinter.
Bart Kinter was a
senior, a towhead from the neighboring town of Cabelsville. He was only
admitted to Pontefract Prep because he was somehow related to one of its
founders (you know, all those backwoodsmen intermarried and created
three-toed babies, albinos and the likes of Bart Kinter). He was what you
call a legacy student. Wouldn't you know it? He was also "Chief" of the
Catawba tribe, a campus club that boasted more bullies than Teddy
Roosevelt. He was what guidance counselors politely referred to as a
"disciplinary problem," because even teachers, you know, are afraid of
some students.
He was the oldest senior
the school had, weighing in at nineteen years old. But you'd never know it
to talk to him.
And Bart Kinter had it
in for me.
I think there are some
people in a given lifetime who are natural born enemies. It might have
something to do with an incompatible smell, or something rotten you detect
in the other guy's eyes. Somehow you know when you meet that you will
never get along.
Kinter and I were of
this variety. There was nothing I did not loathe about him. Not his pug
little nose that was eternally dripping, not his slit green eyes, not
those warped apricot ears that burst with fur in the winter when he forgot
to clip back the hair. That sniggering, adenoidal way of speaking. He
reminded me of one of those little plastic trolls that girls play with and
think are so adorable, when we all know they're as ugly as sin.
Oh, and permit me to
mention one other thing Kinter possessed: the talent for inspiring fear. I
can admit that now. Fear. Plain and simple, with no logic to back it up.
Just fear.
Initially when I was
just entering my freshman year at school I thought Bart Kinter disliked me
because there really was something wrong with me (maybe I did smell bad -
I only washed my socks every third week). But you can only believe
something like that for so long before you've got to sit back and say,
"Fuck it," and get on with life.
And admit if the truth
be known, the guy's a creep.
This was a revelation to
me.
How it happened, the
cheating episode, involving my best friend, ha ha, Bart Kinter. This is as
close to a play-by-play as I can come:
I'm in one of the three
main examination rooms. A test is usually administered in one of the
ordinary classrooms. But for the end-of-term exams, they really like to
stick it to you, both physically and psychologically. Every piece of
furniture in the designated exam room is dark, hard, wooden. You are
forced to sit in the kind of chair that will, in later life, result in
hemorrhoids. You are supervised not by teachers but by Proctors. A Proctor
is usually a student-teacher from one of the local colleges who is
incapable of answering questions that might arise while you take the exam.
Why is it that whenever
you take a test, your senses sharpen like the tip of your Number 2 pencil,
and you hear people in the world, laughing, perhaps out ice skating on the
lake, or making a snowman near the footbridge? And dogs - do they only
bark and race across campus during exams? You smell every hickory-smoke
fire from every chimney in town. You take time to analyze, for sentence
structure, the obscene graffiti about donkey genitalia on your desktop,
and read the Braille of dried chewing gum on the desk's underside.
My real best friend,
Whit, sits across from me and looks earnest and scholarly. He is prepared.
Unlike me.
I scan the exam. It
looks like a very bad recipe. Haiku in the original Japanese. Chemistry
for me is when two people get together and make sparks: Bogie and Bacall,
Catherine the Great and her unholy mule (back to donkey genitals). And
Lab? Well, I like to think of Lab as a kind of furry, dark dog with a
pleasant personality.
I glance over to Whit
for help, but Whit is no cheater, no passer of notes. How could I expect
him to be? Had I sunk so low that I would do that to my best friend? How
could I even be a cheater, Malcolm Coffey, called "Cup" by one and all? I
am an okay student, never honor roll material, but then, hey, who needs
it?
No, I'm no cheater.
But I am up against some
tough competition here, not only the other students, but also that
invisible competition my parents often mention:
Getting into a good
college.
I don't have the heart
to get Whit to cheat on my behalf. I'd never ask a friend to risk that.
I'd much rather drag
down a nodding acquaintance. Or an enemy.
So I look to my left and
there is my best friend, ha ha, Bart Kinter. Looking like God's fool.
Bart, nineteen years old and here he is in Junior Chemistry for another
year. This year, I am sure, Bart has done his homework. He knows what he's
doing.
Then, something like
seduction occurs. I drop my pencil to the floor.
I wait for my classmates
to look up and see what my next move is going to be.
I make no move.
I pretend that I haven't
even noticed the missing pencil.
I am still reading the
exam. I squint my eyes and drop my lower lip down, slightly, so that it
looks like I am intent upon a particular question. Then I glance up to the
ceiling as if the question I have just read needs to be rolled around in
my brain until it hits something and then, tilt!
So. Now I am ready to
answer this question. I reach for my pencil, which Not Two Seconds Ago
rested upon the worn horizontal groove at the top edge of my desk.
I look around the desk
for my pencil. Not there. Under the blue examination book? Nope. Maybe
it's still in my pockets - not there, either. So I look down to my right
and then to my left, and - there it is, on the floor!
I reach down for my
Number 2 pencil. As I come up, in the arc of my ascent, I cock my head
just a bit more to the left and gooseneck it out further to catch the tail
end of some chemical equation Kinter has just written down.
I begin to write scrawl
for jagged scrawl exactly what Kinter is writing. After two years in this
course, he is a good chemistry student. He has even studied for this test.
I forget it is his paper
I am looking at. As I copy his work, our papers become one.
Like I said, it's pure
seduction.
Only I'm the one who
gets screwed because Bart Kinter turns around. He is smiling. He puts two
and two together. His curdled ears blaze crimson with delight. He raises
his hand to get the Proctor's attention.
And after the wheels are
set in motion I am given a stay of execution until after Christmas break.
What I remember most,
after the Honor Trial, was that I cried a hell of a lot. Getting caught
cheating probably meant no Good College, and worse, public humiliation. I
was sure I'd be expelled. Pontefract Prep had a strict honor code. Lying,
cheating, stealing. If you were caught, no questions asked.
But when I was done
crying, I thought of Bart Kinter. The boy who found it in his evil heart
to turn me in. To squeal.
I plotted in my feverish
adolescent mind. What would be his punishment? What form of execution? It
scares me now, thinking back on all this, retracing my footsteps to that
night twelve years ago. Now I know the outcome, where things finally led.
I know I planted the seeds that night just as surely as I'd taken that
bone from a dog before the Tenebro initiation ritual. The night Lily stole
a bottle of Jack Daniels from a faculty party.
What is it about an open
field at night that frightens you? Could it be that someone, or something,
is waiting in that field for you?
Back when I was sixteen,
stealing bones and bourbon and getting myself royally expelled, I didn't
worry too much about consequences. I didn't worry about things waiting for
me in empty fields.
In those days, all I
knew about was revenge.
4.
Cup was shivering behind
the snow-covered boxwoods outside the Marlowe-Houston House while the
faculty party continued inside. He was trying to keep in the shadows, out
of the light from the veranda while he urinated in the snow. He tried to
pee in the shape of a heart, but only succeeded in getting it all over his
hand. He washed his hands in the fresh snow.
While he was zipping up
and adjusting himself, Lily emerged from the back door. She waved the
bottle in the air. As she came down the veranda steps, Cup noticed that
her royal blue dress was hidden beneath an oversized men's jacket. "Gower
Lowry," she said. When she mentioned the names of his teachers, Cup felt
that she was a part of that adult world to which he could only spy upon
through kitchen door cracks. Lily was twenty, but at times she seemed far
more mature than any college girl he had ever met; she seemed comfortably
worldly. "Very tweedy," she continued, raising the collar up around her
neck. She gently tucked her shoulder-length blond hair into the back of
the collar. "He couldn't wait to slip this over my shoulders." She laughed
at this, and her delicate laughter created tiny clouds in the cold air.
Lily came over and
handed him the bottle of bourbon. "Daddy didn't even notice when I grabbed
it. I did my best Lauren Bacall for Gower, who became my unwitting
accomplice. He cornered me, Cup, against the bar, like this -" Lily
squared her shoulders and came as close to Cup as she could without
touching him. The tweed jacket fell open revealing her royal blue dress,
with just a suggestion of nipples beneath the fabric. Cup's eyes wandered
up the pale skin of her neck, back to her face. His breathing became very
slow. He could hear his own heartbeat and was afraid that she might hear
it, also.
Her lips barely parted
as she said softly, "He told me, 'My dear, you certainly are our winter's
blossom, a rare flower indeed.'" Lily reached up with her right hand and
began stroking the edge of Cup's face; he became painfully aware of the
peach fuzz on his chin that had yet to be replaced by heavy beard. "'A
rare flower that blooms in such a cold climate.'" Lily's warm palm
remained against Cup's face. "So I picked this ice cube out of my glass
and slipped it into his mouth like this . . ."
Lily's fingers were on
Cup's lips, parting them. She scraped a fingernail along the bottom row of
teeth, and his tongue licked her finger. ". . . And I said to him, 'Gower
Lowry, you could melt ice, couldn't you?'"
She laughed and plucked
her finger from Cup's mouth. She brought her hand back down and rubbed it
with the other as if she'd bruised it. "That old masher."
Cup was praying she
would not notice the erection that was straining against the inside of his
trousers. He took a step backwards, embarrassed. He tried to pull his
jacket further down so as to hide the lump.
But it was no good.
She'd already seen the wet spot around his crotch. "Oh, Cup, did I make
you do that?"
Cup unscrewed the cap to
the Jack Daniels bottle and took a swig from it. His face was red.
"It must be difficult at
times . . . being a boy. All that testosterone."
This made Cup feel even
more self-conscious. He gulped down more bourbon.
Lily raised her chin and
peered at Cup critically as he moved the bottle away from his face. "You
better save some of that for your little pow-wow tonight. I don't think I
can get away with swiping another bottle. Gower might want more than just
an ice cube to help with that."
5.
From The Nightmare Book
of Cup Coffey:
There I was, drinking
from the bottle I was supposed to be saving for the Tenebro initiation
ceremony, while Lily Cammack watched, back from her first year in college,
no doubt fascinated by the alcoholic consumption of the average, or in my
case below average, preppie. Sticking out from my down jacket's side
pocket was some animal bone I'd wrestled away from one of the janitor's
dogs, while another, more personal bone pressed against my khakis.
Lily told me that her
older sister Clare was getting married and asked me what I thought of
that. I told her I didn't think anything of it - Clare was four years
older than Lily, and I had never met her. She lived in New York. What did
I care about her marriage? But Lily insisted I think about it - not Clare,
but the idea of always being there for someone. Not the marriage that ends
with "Death do us part," but the marriage that will always be, in this
world and the next.
"You know, true love, do
you believe in it?" she asked. She had to repeat herself a few times
before the question even registered on my drunken adolescent brain. Let's
see, I'd had a beer with my friend Whit earlier in the evening, then three
plastic cupfuls of sherry while hiding behind the kitchen door in the
Marlowe-Houston House, and there, speaking with her in the backyard of the
house, I had drunk the equivalent of at least three shots of bourbon. I
had a right to fuzzy thinking.
She took my hand at some
point. We began walking down to the chapel. If you've never been there,
the way the campus is laid out: you've got your Marlowe-Houston House
facing Campus Drive and Clear Lake, but behind it, Pontefract Prep just
opens up like a flower. To the north, about fifty yards, are the academic
buildings along a brief, but impressive colonnade; straight ahead, as you
face away from the Marlowe-Houston House, is the new library, the alumni
house and the dormitories; and due south is the chapel.
So we took that southern
route to the chapel. Our shoes crunched in the snow. I took the bourbon
bottle and swept it across the top of a row of boxwoods, with snow
scattering like dust from the leaves.
I glanced back at the
house where the party continued, half-expecting someone to be following
us. I've always had that habit, looking over my shoulder. It is not a good
one. You never get anywhere, just back where you started.
Lily wrapped her right
arm casually about my waist as we walked, slipping her hand into my coat
pocket. I'd like to tell you that my love for Lily, my enormous crush on
her, was pristine and free of animal motivation. Because I did worship
her. I was sixteen, clumsy and unpopular, and here was this beautiful girl
who, at the very least, enjoyed my company. But at sixteen, my mind was
still in the gutter when it came to girls and sex. I was a virgin and like
most virgins I cherished any feeling that even came close to sex: my
senses were not yet dulled by experience. When Lily slipped that hand into
my pocket, I felt a sweatshop heat rising up in my loins. I was afraid
that that would be all I needed to send me over the top.
When I glanced at Lily,
her pale face and white hair glowed in the scrim darkness like luminescent
white sand beneath an ocean wave.
Do you believe in true
love? As if she had to ask me. How could I not, Lily? Just looking at you,
brushing against you like this. Every moment with you is a constant
ecstasy. These are a rough approximation of my thoughts then. I was so
naive and romantic that just the touch of her hand made me believe that
love could not only be true, but that it could last through all eternity.
This meant constant, neverending sexual bliss.
But I said something
blasé and non-committal. "I don't know, I think maybe, but who knows.
Maybe when your sister gets married you can ask her."
Lily didn't pursue the
subject of love any further.
"I guess," I continued
with my non-sequiturs, "Bart Kinter's got teachers like Lowry on his side.
That fucking brownnose."
"Oh, ha ha, your best
friend," Lily said. "He's just -" but she gasped before she could finish
her sentence. "Cup, do you have to hang on to that thing?" While we'd been
talking, her hand, still in my pocket, had felt the old bone in my jacket.
"It's part of the
ceremony, Lily."
"And you can't tell me
about it."
I nodded.
At sixteen I thought it
was pretty cool to have gotten hold of a bone of that size - all my blood
brothers in the Tenebro would think I'd really gone out to one of the
cemeteries in town and dug it up. But the truth was: I stole it from a
dog. Since it was my second year in the tribe I knew I had to come up with
something pretty unusual for initiation. Your first year you are an
initiate, but the second year is crucial. You're either a Shaman or a
Warrior, and almost every guy was just a Warrior. But a select few got to
be Shaman. That's what I was shooting for. I have never been so ambitious
since. Most Tenebro brought pigeon feathers and a six-pack of Pabst Blue
Ribbon. One of the guys who made Shaman last year, during my initiation,
brought a bottle of Cuervo Gold. Another brought what we figured out was a
possum skull, but what he swore was a giant rat's skull. So, here was my
chance. I had, not only a bottle of Jack Daniels, but also this huge bone,
about as long as my arm from wrist to elbow. Not only that, I had bad
karma on my side: I didn't just buy the booze and I didn't just find the
bone. I swiped the bottle from the headmaster's party, and I dug the bone
out of Christ Church cemetery.
But what really happened
(and this is not the story I would tell my blood brothers) was I saw this
mutt dragging a bone around in the snow. This was such a good omen I knew
I had to get that bone. Who cared if I was going to be kicked out of
school after Christmas for cheating? I would go down with flying colors.
For the Tenebro initiation ceremony, it would be bones and bourbon all the
way!
I had to really wrestle
with that dog; the animal growled and shook its head violently. I almost
lost my grip. I only was able to get the bone when the dog relaxed for an
instant. I pulled as hard as I could, thought its teeth were going to come
with it when the bone popped out of its mouth. The dog whimpered after
that, and I felt bad. I am a sucker for dogs. I gave it a Baby Ruth bar
that had been rotting in my pocket for a few weeks.
And the bone itself! It
was the bone to end all bones. That bone even had some maggots on it! How
authentic could you get? It never occurred to me to wonder where the dog
could've found it.
Lily pulled the bone out
of my jacket pocket. She held it with disdain. "Is it one of Bart's?" She
swung it back and forth, almost dropping it. Then she slipped it back into
my pocket. "What perverted things do you boys do with bones?"
"It's a secret."
"Yes, well, I can tell
you what Freud would say about that bone, but I don't suppose you'd want
to hear it. You're a lot more like Bart Kinter than you'd like to admit.
Cup."
"Right," I said
sarcastically, suddenly furious that she would even compare me to Bart. I
wasn't anything like him. No way.
Lily hugged me closer.
The chapel bells rang the hour: eleven o'clock.
I still wanted this to
be a romantic scenario. I wanted it to lead to something. There she'd
mentioned love a while back, and now we'd descended into bones and Bart
Kinter.
As if reading my
thoughts, she said, "No, you're really not like Bart, are you? Whenever
he's around me he licks his lips. Like he's just waiting for his . . .
moment. You're much more chivalrous, Cuppie. You'd be my knight in shining
armor, wouldn't you?"
"Slay all your dragons,"
I whispered drunkenly.
Neither of us spoke for
a few minutes. We continued trudging through the snow - it seemed to take
forever to get to the chapel. When we reached the chapel steps, she asked
me if I meant it about slaying her dragons. Not realizing what I was
getting myself in for, I said yes.
"Sometimes, Cup, dragons
are big monsters in stories, and sometimes . . ." Lily seemed very
mysterious now, and for the first time since I'd met her when I was
thirteen and she was seventeen, practically babysitting me, I realized
that there were things about her I didn't know, things she was just now
hinting at. It almost scared me to think that Lily Cammack was not just
the image I had of her, but that she possessed a life independent of my
knowledge. "Cup," she said, "let's play 'Smoke.'"
What Lily liked about
this game, silly as it was, is that when you are It you can crawl into
someone else's skin and see things through their eyes. Even though you
make fun of them, you try to, momentarily, put yourself in their place.
You could never just be yourself - the game required that you be the other
person, answer as the other.
But all this is in
hindsight. When I was sixteen I thought it was a stupid game, a little
kids' game actually. But I did love Lily. How easy it is to write that
now: I do love you, Lily. She didn't play "Smoke" with anyone else but me.
The way the game goes:
You ask the person who
is It, What kind of smoke are you? and she tells you, and in answering
this and other similar questions (what kind of animal, vegetable, mineral,
fire, wind, water, etc.) she reveals something about the nature of the
mysterious It.
And there were other
questions if you were wrong with your first guess.
The last question,
however, is set. When you ask it, it's a signal that the jig is up, the
game is over, you are on to whomever the mysterious It is.
The last question: What
kind of monster are you?
6.
The boxwoods that
surrounded the front entrance of the small chapel in a precise semi-circle
shook off their snow as if shivering from the cold. Wind blew from off the
lake. Cup Coffey and Lily Cammack heard it whistle as it came through the
trees near the Marlowe-Houston House.
But it wasn't the wind
that caused the bushes around them to tremble. Cup first heard a low
growling. The noise seemed to surround them. He wished that the chapel
door hadn't been locked, initially because he was freezing, but now
because of the lurking animal or animals in the hedge.
But Lily saw the dog and
pointed it out to Cup. "Have you ever been dogfishing?" The dark, wet dog
came lumbering out of the boxwoods, its tail wagging. It was a black
labrador retriever, a clumsy, friendly dog Cup had often thrown sticks to.
One of the janitor's dogs.
"Here, puppy," Lily
coaxed the dog into the chapel floodlights. An aside, she whispered to
Cup, "I've never been fond of these campus dogs. But I think it's because
of their master."
"You think Riley owns
every dog that runs around here?" Cup asked. Riley Amory was the new head
janitor; he and his family lived off in the woods "with all the albinos,"
Lily would scoff.
Lily didn't respond. She
picked up the half-empty Jack Daniels bottle that Cup had set down between
them. She dipped the bottle down to the dog's level and snapped her
fingers. "Come on, girl, that's a good doggie."
"Don't do that."
"Cup, this wasn't the
dog you took that femur from?"
"You think it's a
femur?"
"Femur, tibia,
whatever." She shrugged.
Two other dogs also
emerged from the bushes, sheepishly wagging their tails, heads down. "How
many dogs does Riley own?"
"I see a certain
resemblance to their master," Lily said. "Let's see if they get as drunk
as Riley does." She tipped the bottle so that some bourbon splashed onto
the lab's muzzle.
One of the dogs, a
miniature collie mix, came up to Cup and began sniffing around his jacket.
"This is the one," he said. He reached down to pat the dog, but it snarled
and backed away.
"Vicious. I'll bet it
was some struggle for that bone, Cup."
"Ha."
All three dogs began
licking the bourbon-soaked snow.
"Hey." Cup reached over
to take the Jack Daniels from Lily, but she was too quick. She pulled it
behind her back. "I need some of that for later."
"Come and get it," she
told him playfully.
He hesitated and looked
into her translucent blue eyes. "Okay." He put his arms around her,
pretending to reach for the bottle. Impulsively, he kissed her, and he
tried to pry her lips apart with his tongue. No go. He pulled back. He
brought his arms back from around her waist. "I should get back to the
dorm. The guys are going to wonder . . . it looks like the bourbon's
mostly gone, but I still have -"
Lily smiled, settling
her left hand down upon his lap. "You still have that bone, don't you?"
Now she played
aggressor. Lily brought her face against his and kissed him, licking his
lips with her tongue, lightly, before kissing his cheek, his chin, his
neck. Cup did not move. She pressed her lips against his ear. Her face
seemed sticky, as if from sweat or tears. He felt her breath inside his
ear. She exhaled into him. She whispered, "Why couldn't it have been you?"
He said nothing.
She said, "Ask me now."
The world went silent,
no wind, no dogs thirstily lapping at the bourbon-stained snow, no strange
crunch of branches that Cup might've heard if his senses had not been so
totally focused on Lily. It was as if a needle had just been removed from
a record. He didn't look at her when he asked.
"What kind of smoke are
you?"
7.
She said, "I'll tell you
what kind of monster I am."
Then she told him.
They held each other for
what seemed like hours. Lily cried, and her breath was a mist surrounding
them. He told her she was the most beautiful woman in the world. He swore
undying love, he promised her he would slay all her dragons, now and
forever.
Even as he said these
words and inhaled the cold night and her jasmine perfume, they were
jumped.
"I know what kind of
monster I am!" came the high-pitched squeal.
The Jack Daniels Hounds
barked and howled all around them.
This occurred one night,
December 18, 1974, the night of Dr. Cammack's annual Christmas faculty
party at the Marlowe-Houston House, and the night, two days before
Christmas break, when certain so-called Indian Clubs held their initiation
ceremonies. The boys called it Hell Night.
Just before midnight, a
nineteen-year-old boy named Bartholomew Andrew Kinter, Jr., born in nearby
Cabelsville, but pretty much a hometown boy in Pontefract, Virginia, fell
down the cellar of the Marlowe-Houston House, breaking his neck. An
electrical fire also started in that cellar as a result of faulty wiring.
The fire was easily extinguished by the Pontefract Fire Department. The
fire did not spread beyond the cellar.
The boy's body was
burned beyond recognition.
8
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9
Portion of transcript of
conversation recorded between Dr. Prescott Nagle of the Pontefract
Historical Society and Teddy Amory, February 12, 1986:
Prescott: Let me speak
with Virginia now.
Teddy: My, how you do
require a lot from this little girl, Dr. Nagle.
Prescott: Am I speaking
with Virginia Houston?
Teddy: Yes.
Prescott: Virginia, may
I ask you a few questions?
Teddy: Yes.
Prescott: Where are you?
Teddy: In the belly, Dr.
Nagle, of the beast. We are all here. Your wife, too. She perverted her
calling, you see, just as mine was also perverted.
Prescott: What was your
calling?
Teddy: I was the chosen
vessel. I was the door. My brother shut the door, Dr. Nagle, and he locked
it. And in so doing sealed his own doom, and that of our entire line. He
had an unnatural love for me, Dr. Nagle, and that drove him to this
desperate act.
Prescott: What desperate
act?
Teddy: You know.
Prescott: No I don't,
Virginia, please tell me.
Teddy: What your wife
did to herself. A perversion of nature. She was not a suitable passage.
But this one, this child, shall be.
Prescott: Who is the
beast?
Teddy: My brother calls
it by the name Goatman.
Prescott: And what do
you call it, Virginia?
Teddy: (word is
indecipherable - a series of moans and growls) It is ecstasy, its name is
unspeakable by human tongue.
Prescott: What do you
call it, Virginia?
Teddy: The Eater of
Souls.
Buy the Book
CHAPTER THREE
BONES, II
December 2, 1986
1.
Behind Teddy's eyes the
world became translucent ice that shattered as she fell into a viscous
blue darkness.
Jake Amory watched his
sister drop onto the carpet. She was going into one of her fits.
She's a monster, the
words buzzed around in his head, don't trust her for a minute, boy. She's
laughing at you, too, boy, but on the inside. Just take your knife and
open her up and you're gonna see for yourself. But don't cut deep, boy,
'cause you got to save something for the big day of the Pocket Lips, just
skin her.
Teddy was twisting,
shaking, shivering like she was being hosed down with ice water, arching
her back against the floor, slapping her hands up and down as if she were
trying to swim. The irises other eyes rolled up under the lids. She was
swallowing air like it was liquid.
Jake held his Boy Scout
knife high, as if this were a ritual he was about to perform.
"Kissy-kissy," he said between clenched teeth. He brought the knife down
in a clean slice through the smoky air; the blade flashed in front of his
sister's contorted face as she continued to struggle against herself.
He heard the
characteristic rumbling coming from Teddy's body, her muscles and bones
fighting against the seizure. Now, get her now, give her the kiss, Jake,
fast, she's a rattlesnake, she can be anything she wants, she ain't human,
she's a monster -
"I got it under
control!" Jake shouted, trying to shut out all the damn noise in his mind.
He knew what he was doing. He didn't need all that buzzing around his
ears, all that static. His head seemed like a jungle, full of howling,
screaming things. He thought he was going to explode. Drool gushed down
his chin, and he wiped it away. "Shit!" His mouth curled downward, and he
said, "Okay, monsterbaby, it's time for the Pocket Lips," and he swung his
arm down again, the knife whistling in the air, to his sister's squirming
body.
But as he did this, and
he was thinking of the sheer beauty of that one movement, his hand
clutching the knife, his elbow bent, curving through the air, homing in on
its destination - her left ankle, if he could keep her still long enough
to peel that tender young skin away from the bone - just as the knife
skimmed her foot, it flew out of his hand. It was as if someone had
physically wrenched the knife from his fingers. He watched in angry
disbelief as the knife sailed down the stairs, clattering to the floor
below.
Nervous, just nervous,
that's all, you can do it, you can get that fucking door open.
Jake clapped his hands
together and laughed. "Under control, my man, still got it under control.
Jake's your man, if he can't do it, nobody can!"
He knew what he would
do.
He was going to set her
on fire. Some vestige of the spirits of the dead he'd been rapping with
down by the lake tickled his ear: no, no fire. Mustn't use . . . But he
cut that voice off. You didn't have to have gasoline for this monster, oh,
no, you just use that long frizzy hair to get the inferno going.
Now that voice was like
a mosquito buzzing around his head: not the fire, not her, it's not -
But he swatted at the
voices, overriding them with his own thoughts: fire, fire, fire, fire.
Teddy was coming down
from her fit. Her eyes were closed. Her pajamas were soaking wet; her
bathrobe had flown open beneath her like clipped angel's wings as she lay
there, still.
Jake would have to act
fast.
He reached into his
breast pocket for the Bic lighter he'd used to torch the rat in the
bedroom.
He flicked the thing on
and a lovely, tiny spark erupted from its heart.
Jake knew one golden
moment when he smelled victory through the fire that still raged in the
bedroom down the hall, and saw it there in his helpless sister as she came
down from her dance.
And then Jake Amory
howled in pain as his entire hand burst into flame, while the thought shot
through his head like a bullet:
Asshole, you used the
wrong hand, you used the hand with all that fucking gas on it -
But even this thought
did not seem to make any sense to him as he tumbled down the staircase,
screaming, burning.
2.
Teddy Amory was out of
the burning house, not even sure how she'd managed to get down the
staircase through the smoke, around her brother's screaming, writhing body
(she wanted to help him but he looked at her like he was going to throw
her back into the flames), around the tongues of fire that shot out at her
from all directions. It was something she'd never imagined in her worst
dreams.
She ran out into the
field that adjoined the house, as far as she could run, and then collapsed
in the damp grass, sobbing. She closed her eyes tight, praying that when
she opened them again the fire behind her would go away and the nightmare
would fade.
But when she raised her
head from the ground, opened her eyes and glanced back at the house, fire
still vomited from the windows. Her brother was screaming even louder.
"Please God, let it be
over, let it be over," she whimpered. Teddy rubbed her fists into her
tear-filled eyes.
Then she heard the front
door slam.
"Teddy! Teddy, get back
here!" Jake yelled. "It's time for a bedtime kiss, it's the Pocket Lips
comin' for ya!"
She ducked down and then
peered through the tall grass. She watched her brother stomp stiff-legged
around the porch, backlit by the inferno. He was clutching one of his
hands.
Her first impulse was to
run back home. Just to get it over with. It was Jake, and no matter how
crazy he was acting, maybe that fall down the stairs had reawakened
something human in him.
Because she knew. She
knew what had gotten into him.
It was part of that gas
station smell. She remembered it, how it snaked around her, pulling her
back through the freezing water, trying to suck something out of her. But
she had escaped it in the water. Her daddy had saved her.
And the thing was mad
she'd gotten away. It wanted her for something. Because of what had gotten
inside her, whatever it was that was causing the fits, the thing that
she'd brought on herself and on her family.
But her daddy hadn't
gotten away, and now her mother, too, was caught.
And Jake.
"You cunt, Teddy!" Jake
boomed, his voice raking across the darkness of pre-dawn hours. "I know
you're out there! It's just a matter of time, baby sister! Come on back
and maybe I'll treat you nice, yeah, real nice!" As he shouted
obscenities, Teddy noticed something bright and silver flashing in his
hand.
A knife.
Teddy stifled a scream.
She hoped her fits wouldn't come on.
3
From The Diary of Worthy
Houston, Winter, 1801:
My sister, Virginia,
grows weaker by the day and we pray for her recovery. But Father does not
seem to notice her troubles. He bids me ignore her falling sickness, her
depressions, her auguries of doom. He warns me that I must not mistake the
door for the doorway, or the lock for the key. He is more concerned with
his digging in the earth beneath our house.
What madness must have
possessed him to build this house upon their graves?
We have heard him the
whole evening long and into the dawn. In my dreams I can hear his shovel
scraping against the rock and earth. He believes, I think, that he is
planting them deeper as if in so doing he will allay his fears. As when he
sows his fields, the further down in the soil he plants the seed, so shall
the grain not rise up against him.
Buy the Book
CHAPTER FOUR
CLARE
January 9, 1986
1.
The Winter Before Jake
Amory Torched His House
FOUNDERS DAY
Clare Cammack Terry knew
these things about herself: she had wavy black hair that could not be
tamed with hairstyles or conditioners, her younger sister, Lily, had
shoulder-length blond hair that sparkled. She had an olive complexion that
no one envied, whereas Lily had that creamy skin that Clare equated with a
tubercular condition but which everyone else thought was a sign of grace
and purity. Lily was a woman who in her early thirties could still wear
dresses that might be described as "frocks" and still looked as gorgeous
as she had at seventeen; Clare was more of a Banana Republic kind of girl,
getting most other wardrobe out of catalogs rather than from the local
stores - and she always felt she looked out of place in Pontefract, like
Annie Hall in John-Boy Walton territory. Clare had failed in marriage and
career (failed marriage: to David Terry, Manhattan ad agency man, who
thought Clare should concentrate on her femininity more, and who himself
concentrated on other women and the occasional accommodating man - but her
first roommate had warned her to not get serious with a man who wore
bikini underwear. Failed career: nursing, although, ha-ha, as Lily would
say, she was certainly nursing her own father now). Lily was a success in
marriage and had no desire for a career. But Clare was doing her darnedest
to put the screws to her sister's marriage, ha-ha.
Oh, and I know this,
too. My episodes. Vertigo, dizziness, call it what you like, I see things.
Just these neurotic little dreams while I'm awake. How very New York of
me. Hallucinations.
Like this one in front
of me.
Clare Terry didn't
immediately recognize the woman who gazed at her from the second-story
Venetian window of the Marlowe-Houston House. But the woman evidently knew
Clare, because she waved and seemed to be trying to say something to her
from behind the glass. Then Clare began to understand what the woman was
saying. Clare couldn't really hear her, but suddenly the woman's voice was
in her head.
Clare felt her own blood
turn to ice inside her.
The woman was saying,
"Big kiss, Clare, Daddy wants to give you a big kiss, he's right here,
with me," and the woman was no longer unfamiliar, with her auburn hair and
high cheekbones. It was Clare's mother. Rose Cammack. "Big kiss," her
mother repeated from behind the window. "You didn't have to come home,"
her mother continued, "he would've been fine without you. Nobody wants you
here. But since you're here, he has a Big Kiss just for you."
Clare looked away from
the window, tried to look away from the house, but she could not escape
it. Every way she turned her head, there were its Greek Doric columns,
there the white front steps, the molded brickwork, there the thick dead
vines snaking about the trellis, all leading her like strands of a
spider's web straight to the dark spider at its heart, her mother gazing
at her from the window. And the words seemed to froth out of her mother's
pincer-like mouth, "Big kiss, Clare, bigkiss - bigkiss - biggest . . ."
"I'm telling you," a
more honeyed voice said.
Clare was standing in
front other Volkswagen Rabbit, the back door still open. She was staring
at the empty, dark Venetian window supported by a false railing, crowned
with an arch. It was just like any of a number of windows on houses in
Pontefract, nothing special. When she'd been a little girl, she even
looked out this particular window, pressed her face right up against the
pane, pushing the sash aside. Her mother was dead. This was just the
Marlowe-Houston House. No one was staring back at her.
Shelly Patterson, who
leaned against the hood of the car, was saying, "The biggest tits yet.
Miss Perky Boobs. I'm telling you, Clare, they get bigger every time I see
her." Shelly had a round pudgy face that Clare found eternally pleasant,
framed by those tight ringlets of carrot red hair. Even if she was
overweight, she looked supremely comfortable in that body. Not like me,
Clare thought, not like me.
Shelly wore an oversized
black sweater and had drenched herself with imitation gold jewelry because
she thought it minimized her weight. It didn't; Clare thought Shelly
looked even heavier than usual. Shelly held her hands out in front other
as if carrying enormous sacks of groceries. "And I am also here to inform
you that Cappie's tits were not like that yesterday. Oh, sure, they were
big, but they weren't galaxies unto themselves."
Then Clare remembered.
All right, this vision from that upper window, mother, is just an episode.
All is right with the world. Just another vision, and who are you to have
visions. anyway? It's not like you're Joan of Arc, you're the most devout
atheist on the face of this earth.
Clare reached in her
purse for her version of the double martini: a pack of Salems and a
half-Valium, a habit she'd acquired in Manhattan before the divorce became
final. She re-oriented herself. She'd just gotten out of her car when
Shelly Patterson came down the front steps to help carry the four jugs of
wine she'd brought for the luncheon. Shelly had begun gossiping about
other people who were already inside: the First Families of Pontefract
with their little cliques of whomever was most closely related to the town
fathers. Then the dizziness had hit her, and she had clutched the car door
for support. Not exactly dizzy; she felt like she was on a different
magnetic frequency from the Marlowe-Houston House and had hit its
invisible field.
Shelly hadn't noticed
any of the signs of her episode.
Clare was getting so
used to them that she had learned to disguise the sweating and trembling
fairly well. Basically, Clare had taught herself not to freak whenever one
of these came on.
Now, listening to Shelly
go on and on about Cappie Hartstone's recent increase in breast size (". .
. it's like she's trying out for Nursing Mother of the Year when everybody
knows she's more like the Iron Maiden of Nuremberg . . .") and looking
boldly up into that empty window, Clare felt in control. Stronger, that
was it, she was stronger after her episodes.
"It's so cold," Clare
said, "let's go inside."
Shelly, lifting one of
the grocery bags with the wine in it, went on ahead. Clare stayed back a
moment. She lit a cigarette, took several quick puffs, then dropped it in
the gutter. She put it out with her heel. She decided against the
half-Valium after all. I'll be okay. She took the other bag out of her
Rabbit and pressed her back against the door to shut it. I do feel
stronger, she told herself.
Yeah, I must be feeling
pretty strong to go in there.
The Marlowe-Houston
House had always intimidated Clare, even when she'd been a little girl.
Because her father had been headmaster of Pontefract Prep, the family
occupied the house for several years in the late '50s and early '60s. She
never felt that it was home; she was relieved when, at twelve, her family
moved into the old Federal-style brick house on Porter Street, while the
descendants of the Houston family converted the Marlowe-Houston House into
a museum of sorts as well as the site for various Town and Gown functions,
like this snobby Founders Day Luncheon.
And Warren Whalen,
mustn't forget Warren.
For it was within those
walls of the Marlowe-Houston that she had first succumbed to his charms,
had allowed him, as Shelly crudely put it, to get into her panties.
2.
Inside the
Marlowe-Houston House
Clare made a mental note
as she went through the living room: everyone in Pontefract, Virginia, was
a First Family. Not that everyone in town was invited to this Invitation
Only affair. The Town and Gown Society, which overlapped with the Christ
Church Altar Guild to create a hybrid Junior League-cum-Episcopalian
Coffee Hour, were very careful with their genealogical research: no alien
blood, please. Bill Hartstone was already leaning against the bar,
exchanging good-old-boy talk with Ken Stetson, whose son, Rick, was
playing bartender and sneaking a swig when the others weren't looking.
Another teenager, Tommy MacKenzie, sat in a corner rigidly, wearing a coat
and tie, something Clare never saw the kid in when he came over to do
yardwork in the summer, she barely recognized him. She felt a great deal
of sympathy for him: like him, she didn't want to be here either. Tommy's
father and mother stood near the picture window talking quietly among
themselves. Mrs. MacKenzie always reminded Clare of a wounded bird, shying
away from other people and helplessly gravitating to the safety other own
husband. Clare could not relate to wives like that; she didn't believe
that any husband could be very safe.
Howie McCormick,
possibly the last McCormick left in town since his parents died, tried to
talk up a few of the golf set who stood near the piano. Howie was the same
mailman who had handed Clare a letter from her ex-husband and at the same
time told her pretty much what was in it. Thankfully, today he was not
wearing his blue uniform and pith helmet. He wore a bright madras jacket
and lime green pants, and he was drunk off his ass and leering at anything
and everything female in the room.
Prescott Nagle was
trying to plink out a tune on the piano, with Gower Lowry scowling at him
from a corner of the room. Ever since she'd been a little girl, Clare had
always known about, although never fully understood, the enmity between
those two men. But you'd think they'd have outgrown it by now. Clare waved
quickly to that group and prayed that Gower would not use the opportunity
to come over and talk her up. He didn't. All the good Pontefract "Name"
families were well represented, lounging on the sofas, dressed in their
suits and overly extravagant gowns, and the conversation that filtered
down to Clare as she passed through them centered upon the mild winter
they were having, and a comparison of genealogical backgrounds. "It was my
great-grandfather Campbell who built the Regency Row Arcade, but then it
was just called the Row, and that was before they gutted it," or "When
William, the first William in our family, married your great-aunt Jenny,
he was able to," or "He took up arms with General Lee, and his wife had to
run the farm by herself, even pulling the plow, yes, can you imagine."
Shelly came out of the
kitchen's swinging door, and fluttered her eyebrows a la Groucho Marx.
"With all this inbreeding I'm amazed you 'Firsts' aren't all
twelve-fingered dwarves," Shelly said, reaching for the bag in Clare's
arms.
"That's all right.
Shelly, I'll get it." Clare didn't understand why Shelly was blocking her
way to the kitchen.
"I don't know if I'd
want to go in there if I were you," Shelly whispered. "I think you're the
hot topic of the day."
"Why am I here?" Clare
asked amusedly.
"People are wondering
why you're not wearing a big fat scarlet 'A' across your boobs."
"Look," Clare said,
indicating the people around the room with a shrewd glance, "I can't just
stand here like this. Do you think I could make it out the front door?"
"You slut," Shelly
laughed, "give me the wine." She held her hands out again to take the
grocery bag. "You go into the dining room and admire the china. I'll find
your sister and tell her you're not feeling well. Then we'll sneak you up
the stairs to the roof. You can jump."
"I'll be damned if I'm
going to give this place more grist for the mill."
"So you're going into
the enemy camp?"
"Like Daniel into the
lions' den."
"Those lions didn't have
the teeth that Georgia Stetson's got, and they didn't know about Thursday
night."
"They all know about
Thursday night?"
Shelly nodded. "Maybe
you'll want a drink before you go in there."
Everybody knows about
Thursday night?
How could they? Clare
didn't even know for sure about Thursday night.
"Cappie of the ballistic
breasts will probably play compassionate and understanding, and the others
will just glance at Georgia - who will be full of self-righteous |